Aesthetic drawings ideas It can be a great pastime for people who can appreciate its beauty. This way of approaching the study of Masonic origins is helpful because it enables the student to think of the synthesis of Masonic ideas in the early 18th century in terms of prevailing currents of ideas in the broader English and European context. More than that, they're supposed to look messy. Rudolf Steiner's Blackboard Drawings:
Their archives include original typewriter poems, books, manuscripts, and correspondence to other poets as well as the Sackners. All have produced outstanding bodies of work in this field as well as other genres of concrete poetry but two stand out for their innovative technical virtuosity, Dom Sylvester Houedard and Willem Boshoff.
We met Dom Sylvester Houedard for the first and only time in when during a visit to John Furnival and his wife Astrid at their house in England.
He was a monk who lived in Prinknash Abbey, close to the Furnivals. He was a delightful witty man who gave us an encyclopedic list of poets and artists that we should contact.
He was a master of concrete poems that were manipulated with a typewriter as well as a creator of reversal drawings. His major work was accomplished in the s and early s. Later on, he was unable to continue typing owing to arthritis. Sharkey and Donato Cinicolo 3 We met Willem Boshoff in at the NY City apartment of Tony Zwickeran eminent dealer and curator who specialized in artist books with whom we had a long relationship since her first sale of an artist book was made to us in Boshoff achieves fascinating, optical effects by weighting the density of typewritten letters in different portions of the poem through overtyping and creating diagonals by placement of the same letter in that direction.
Boshoff wrote this book when he was an imprisoned conscientious objector to military service in South Africa. He did not wear magnifying glasses for writing it and spent 10 minutes each day transcribing the book as a semi-religious experience to maintain his sanity during his incarceration.
Infollowing a meeting with Clive Adams and Cinicolo 3 in LondonAdams sold to us an archive of correspondence between Donato Cinicolo 3 c. This consisted of 43 typed letters from Cinicolo 3 to Houedard often with stylistically, concrete poetic overtones. For the most part, Donato typed these poems on Olympia and Smith Corona manual machines.
We met Henri Chopin in London in close to our founding of the Sackner Archive at a train station during his changing of trains as he was heading home and continued our relationship in person and correspondence up until he died in Further, we hold runs of his anthologies of concrete, visual and sound poetry publications that he edited or published from to These include an almost complete set of Cinquieme Saison and complete sets of Ou and Collection Ou along with their deluxe editions as well as four maquettes of Collection Ou that contain the original material and documentation.
We also had a brief correspondence with him. When we met him in New York City shortly thereafter, he was surprised that we consider these poems as historically significant as early examples of concrete and visual poems.
We acquired the typed and annotated manuscript versions of this book from Bill and have continued to stay in touch with this remarkable man 93 years young and still traveling here and abroad for poetry readings. We first contacted David UU by mail through an introduction by jw curry and began to acquire examples of his typewriter poetry and ephemera at that time.
Harris We consider these poems as among one of the strongest political statements made in this genre. We corresponded and spoke on the telephone a few times but lost track of him intwo years before his untimely death.
Toward the end ofthe year of his death, during a trip to Torontowe arranged to meet his mother and sister at their home and purchased 50 of his typewriter poems and nine calligraphic concrete poetic drawings from them. We visited him in his studio later that year where we purchased our first typewriter piece that consisted of a colored photograph of an opened book with facing pages in a made-up language mounted on stiff papercard with a colored typewritten caption of language art in a large font size below.
These books were intended as performance copies for Katz's film "Mirror On The Moon," a story about a character who makes books in code. This consisted of two scrolls, one of which at a time was placed such that it emerged from the typewriter that made them. A larger length scroll consisted of Spanish words selected at random by automatic typing arranged as an irregular margin single word column, the smaller scroll consisted of English words chosen the same way.
Leandro visited us in during the week of Art Basel Miami and we have continued to correspond with him. The Sackners hold complete or almost complete runs of these Assemblings, most of which include international contributors. We wanted a genuine participatory democracy that successfully redistributed both initiative and responsibility.
The only control left to us was the invitation itself, so that just as unfamiliar would-be collaborators were asked to show us examples of their work before receiving an invitation, so a few previous contributors were not invited again. David Dellafiora was born in London but has lived in Australia for almost two decades is the most active world-wide compiler of contemporary Assemblings.
His first publication was his yearly issued Field Study in that began in London in copies with contributors from the international mail art network and has continued to the present day. The contributors submit their pieces on toilet tissues that are painted, collaged, rubberstamped, handwritten, photocopied or ink jet printed.
The variety of toilet tissues that the contributors have used throughout the world is astonishing and worth a look even without the accompanying art or poetry. David started ReSite [each issue 40 copies], an assembling in 40 copies in with the submitted material on unbound pages in that has reached 13 issues in He began KART [each issue 40 copies], with a focus on art and poetry on cards in which has reached 27 issues as of June We purchased several of his unique and limited edition artist books from him.
Some forty, some well-known, others less known authors of visual poetry from the German-speaking world and beyond, for every issue received a personal invitation to contribute a "miniature obscure" which was then packaged in an unusual elegant container in an edition of 88 copies.
This assembling was produced almost every year though 11 issues and is a high point in Assembling lore. We have carried out a correspondence with Harmut Andryczuk since and met him in Berlin in This unique bookwork with a theme of life and death was exhibited at Studio im Hochhaus in Berlin in , Cohen Media Group,Churchill Winston Drama, Prime ministers Great Britain Drama, World War Drama, Great Britain Politics and gove.
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