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Despite this rescue from obscurity and her canonization amongst Black women writers, Hurston still suffers from the political image of a flamboyant naif or embarrassing conservative — a view, in fact, no different from the reputation she was saddled with during her life.
Discussing famous figures of the Harlem Renaissance period, a time when whites rushed to Harlem on the weekends and revelled in Black music and folk culture, he wrote: Only to reach a wider audience, need she ever write books — because she is a perfect book of entertainment in herself.
In her youth she was always getting scholarships and things from wealthy people, some of whom simply paid her just to sit around and represent the Negro race for them, she did it in such a racy fashion.
She was full of side-splitting anecdotes, humorous tales, and tragicomic stories, remembered out of her life in the south as a daughter of a travelling minister of God.
She could make you laugh one minute and cry the next. This portrait of Hurston is inadequate, unfair to Hurston and responsible for her neglect amongst contemporary radicals. In fact, her work has much to say to leftists today, for she picked up on relationships between race, class and gender in ways few of her contemporaries did and even fewer of her contemporaries suspected.
The task of understanding her political views is a difficult one, however, both because she fits into few political pigeonholes and because she often seems self-contradictory — quite conservative in material published in mainstream magazines and publishing houses, much more radical in letters and articles published in Black-controlled periodicals.
Often dependent on the approval of white patrons for money to survive while she wrote books, never lucky enough to write a book that sold enough to provide her financial security, nearly always desperate to get material published just to stay economically afloat, Hurston was often forced to censor what she said when she was trying to publish in white periodicals and publishing houses.
As she suggested in a letter to a French friend, she resented the condescension she sensed behind much white acceptance of integration: I actually do feel insulted when a certain type of white person hastens to effuse to me how noble they are to grant me their presence.
Even for her admirers, this book is an embarrassment because Hurston seems both so eager to spell out her loving indebtedness to white people and so cavalier in her treatment of social and political issues affecting Black people.
While comments like this evoked effusive praise from white reviewers, Blacks were less generous. She has done right well by herself in the kind of world she found.
Her virulent hatred of racism and her sense of its pervasiveness in the white world burn in some letters she wrote to Black contemporaries.
The iron has entered my soul. Since my god of tolerance has forsaken me, I am ready for anything to overthrow Anglo-Saxon supremacy, however desperate. I have become what I never wished to be, a hater.
I no longer even value my life if by losing it, I can do something to destroy this Anglo-Saxon monstrosity.
Writing to Barnett in July,she argues: Of his grin of triumph on giving the order to drop the Atom bombs on Japan.
Of his maintaining troops in China who are shooting the starving Chinese for stealing a handful of food…. Outraged at Black silence in the face of these atrocities, Hurston goes on in this letter to posit a close relationship between these actions and racism at home: WE are being taught a lesson and given a horrible example through that.
Violence is his religion. He has gained everything by it, and respects nothing else. No whiner ever got any respect or relief.Love in Zora Neale Hurston's Their Eyes Were Watching God The novel Their Eyes Were Watching God by Zora Neale Hurston () is a search for self-fulfillment and true love. On a porch in a small town called Eatonville a story is told about an attractive African American women's journey.
In Their Eyes Were Watching God, Zora Neale Hurston uses dialect when Tea Cake speaks in order to emphasize his cultural background.
Mrs. Turner, like all other believers had built an altar to the unattainable—Caucasian characteristics for all. The Double Oppression of Black Women in Their Eyes Were Watching God The main argument in this paper is focused on the way the Black women in Zora Neale Hurston’s Their Eyes Were Watching God (), women, in Their Eyes Were Watching God.
In Their Eyes Were Watching God, Zora Neale Hurston uses dialect when Tea Cake speaks in order to emphasize his cultural background. Mrs. Turner, like all other believers had built an altar to the unattainable—Caucasian characteristics for all.
SUDDENLY COLLEGE students are picking up a year-old novel, "Their Eyes Were Watching God," and embracing its author, Zora Neale Hurston, and the book's heroine, Janie, as models for these. Zora Neale Hurston was a remarkable, widely published black woman of her dayâ€”the author of more than fifty articles and short stories as well as four novels, two folklore, an autobiography and some plays.
She is well known for her greatest book Their Eyes Were Watching God. Zora started writing short stories when she was in college.